It’s rare that the worlds of musical theatre, R&B, and alternative pop can collide in an artist, but such is the case with the Vancouver-based powerhouse TYA. They’re the type of triple threat that could consistently sweep the Tony Awards had they chosen that route, but instead decided to bless the indie pop scene. TYA inherits her unique set of talents from her mother and father, who performed in Paris’ iconic Moulin Rouge and Broadway’s The Lion King respectively.
Songs such as “Venetian Blind” and “She They” echo their predecessors - such as Clairo, girl in red, Kehlani, and Hayley Kiyoko - but their extensive background in theatre allows them to add a unique twist to their sound. That’s also reminiscent in the natural charisma and emotional depth in their vocal delivery, which translates flawlessly to the stage. Recently, Playlists & Polaroids had the privilege of chatting with TYA about their artistic journey and creative approach. Keep reading for our full interview with them!
Image credit: TYA; graphic created by Karly Ramnani
YOU'LL LOVE TYA IF YOU LISTEN TO: Hayley Kiyoko, Kehlani, SZA, girl in red, Clairo, beabadoobee, Dominic Fike, Renee Rapp
What made you choose TYA as an artist name, and how do you feel it represents you?
TYA has been a nickname for me ever since my sister learned to speak. [It is] an alternative version of "Talia.” This name truly feels like who my artistic self is at my core, so the choice to write and release music under it as a pseudonym came naturally.
What impact did your parents' backgrounds in theater have on your upbringing?
The way my parents lead their lives, and the upbringing they have provided for both my sister and I, has developed us into the artists and people we are today. From living on the road to encouraging us to try new things and always act with kindness and truth, their impact is immeasurable.
Do you have a favorite musical?
I absolutely have at least 20 favorite musicals! Currently, I’m having a big "Sunday In The Park With George" moment. Sondheim, Bernadette, and Mandy Patinkin (who I had the pleasure of witnessing work on set last year) created magic in that soundtrack which has been living rent free in my ears.
Image credit: TYA
You've previously shared that you used to compose poems to the rhythmic patterns of tap dancing! This is such a unique and amazing way to approach writing - what went through your head during this process?
I still do! Inspired by my father, who started tap dancing in Philly in the 80s, it is how I translate and hear rhythms in my head. I have been tap dancing since I could walk, so it was just naturally how my brain worked when I started writing songs.
You have film credits with Netflix and NBC, as well as a strong theater background - from your experience, how would you compare film acting and theater acting?
The process and execution of performing for both mediums are drastically different but at the heart of it you are still empathetically slipping into someone else's shoes and playing pretend for a short time. I enjoy both as they are diversely filled with new experiences. A healthy balance, if I can.
Outside of theater, what artists do you listen to and how do they influence your craft?
Dominic Fike, Stevie Wonder, and Taylor Swift. My tastes have always been quite expansive stylistically (I blame theater). I am always looking for ways to tangle genres together that feels articulates my story best as an artist.
What are some of the biggest highlights and challenges of your experience as an openly queer artist?
Entering the music industry at 17 years old, there is this "comphet" which was often hard to navigate during songwriting sessions. I am grateful to be collaborating with writers and producers who genuinely see the multifacets of my identity. The major highlight is meeting the folk that resonate with my music. I've met so many queer kids through "Josephine" specifically that are just so excited about the song; it overwhelms me in the best way.
Image credit: TYA
I love the storytelling in "Venetian Blind." How did you approach writing this song and coming up with this concept?
"Venetian Blind" was written as a train of thought. I had an emotional evening and just wanted to spill my guts into a song. There is even an unreleased intro that is just me rambling about the situationship before singing the first line of the song.
Was the song written around the title "Venetian Blind," or did the title come after the song was written?
The title came quickly as there were Venetian blinds on the window of where I was recording. Inspiration can spark in a simple environment.
What are your goals in music, and what do you have in store that fans can look forward to?
I want to play live in new cities! I have a few (yet to be confirmed) show dates I'm really excited for.
Finally, the P&P classic! What’s a lyric from “Venetian Blind” that stands out to you? Walk us through the process of yourself writing it, and how does it speak to you personally?
"I forgot how good you look in printer ink.” I just think that line is so cheeky. I honestly don't even remember writing it! I was in such a flow; it was this almost pick up line-esque lyric that made perfect flirty sense to me.
A self-proclaimed “anxious queer indie pop artist,” TYA utilizes music as a means of therapy, exploring their queer identity, and self-expression in innovative ways, and we truly can’t get enough. We’ve never seen anyone portray intense passion and embrace their vulnerability quite like TYA. By now, we hope that we've inspired you to dive deeper into TYA’s world, so here’s a playlist we've curated to capture their vibe!
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